"Trois Morceaux en forme de poire: Trois Morceaux en forme de poire: Redite" by Erik Satie, Alexandre Tharaud, Eric Le Sage was released on January 20, 2009. With Trois Morceaux en forme de poire: Trois Morceaux en forme de poire: Redite being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #7. In terms of popularity, Trois Morceaux en forme de poire: Trois Morceaux en forme de poire: Redite is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Trois Morceaux en forme de poire: Trois Morceaux en forme de poire: Redite by Erik Satie, Alexandre Tharaud, Eric Le Sage having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No.1 in C, Op.1: 2. Andante | Johannes Brahms, Sviatoslav Richter | F♯ Minor | 1 | 11A | 87 BPM | ||
Préludes / Book 1, L. 117: 5. Les collines d'Anacapri | Claude Debussy, Pascal Rogé | B Major | 1 | 1B | 63 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 2, No Going for a Walk Today | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor (Piano 4-Hands Version) | Johannes Brahms, Bruce Liu, Alexandre Tharaud | F♯ Minor | 1 | 11A | 78 BPM | ||
Concerto pour deux pianos et orchestre en ré mineur, FP 61: II. Larghetto | Francis Poulenc, Eric Le Sage, Frank Braley, Orchestre Philharmonique de Liège, Stéphane Denève | E Major | 5 | 12B | 85 BPM | ||
Ravel: Ma Mère l'Oye, M. 60: V. Le jardin féérique | Maurice Ravel, Alexandre Tharaud, Bertrand Chamayou | C Major | 0 | 8B | 65 BPM | ||
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
Impresiones intimas: 1. Planys I | Federico Mompou, Alicia de Larrocha | A Minor | 0 | 8A | 109 BPM | ||
Faschingsschwank aus Wien, Op. 26: V. Finale (Il più vivace possibile) | Robert Schumann, Maria João Pires | F Major | 1 | 7B | 91 BPM |
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