"The Lark Ascending" by Ralph Vaughan Williams, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton was released on January 1, 2012. The Lark Ascending appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: The Lark Ascending (Classic FM: The Full Works) by Ralph Vaughan Williams, Nicola Benedetti. The song's track number on the album is #1 out of 9 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, The Lark Ascending is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Lark Ascending by Ralph Vaughan Williams, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Lark Ascending being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Chorus, Patricia Rozario, BBC Symphony Orchestra | C Major | 1 | 8B | 109 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | C Minor | 0 | 5A | 81 BPM | ||
A Shropshire Lad (Rhapsody for Orchestra) | George Butterworth, Neville Dilkes, English Sinfonia | F Minor | 1 | 4A | 87 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | ||
Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | B♭ Major | 1 | 6B | 85 BPM |
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