"Rhapsody In Blue" by George Gershwin, Royal Philharmonic Orchestra, Philip Ellis was released on August 3, 2007. Rhapsody In Blue appears to be safe for all ages as it is not explicit. The track order of this song in Royal Philharmonic Orchestra's "Last Night of the Proms" album is number 8 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Rhapsody In Blue's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rhapsody In Blue by George Gershwin, Royal Philharmonic Orchestra, Philip Ellis to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppélia: Prélude et Mazurka | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | D Major | 1 | 10B | 90 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 1 | 8B | 124 BPM | ||
Hungarian Rhapsody No. 2 in D minor, S.359 No. 2 (Corresponds with piano versionNo. 2 in C sharp minor) - Orch. Doppler | Franz Liszt, Budapest Festival Orchestra, Iván Fischer | D Major | 1 | 10B | 89 BPM | ||
Minkus: Don Quixote, Act 3: II. Adage | Ludwig Minkus, Robert Irving, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 57 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) | Sergei Rachmaninoff, Martin James Bartlett, Joshua Weilerstein, London Philharmonic Orchestra | E♭ Minor | 2 | 2A | 70 BPM | ||
Dance Of The Comedians | Bedřich Smetana, Symphony Orchestra Of Canada, Stefanos Karabekos | C Major | 3 | 8B | 76 BPM | ||
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes | F Minor | 0 | 4A | 85 BPM | ||
Can-Can From Orpheus In The Underworld | Jacques Offenbach, Royal Philharmonic Orchestra, Philip Ellis | D Major | 6 | 10B | 165 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM |
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