"An Exaltation of Larks" by Jennifer Higdon, The Lark Quartet was released on February 12, 2013. An Exaltation of Larks appears to be safe for all ages as it is not explicit. The song is number 1 out of 8 in An Exaltation of Larks by Jennifer Higdon, The Lark Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, An Exaltation of Larks's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of An Exaltation of Larks by Jennifer Higdon, The Lark Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tabuh-Tabuhan: I. Ostinatos | Colin McPhee, Leonard Slatkin, BBC Symphony Orchestra, John Alley, Elizabeth Burley | D Minor | 2 | 7A | 108 BPM | ||
Violin Sonata: I. Andante semplice | Aaron Copland, Paul Posnak, Peter Zazofsky | G Major | 0 | 9B | 95 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Cold Mountain, Act II: Act II Scene 12: You just need to rest. We'll talk later (Inman, Ada, Ruby) | Jennifer Higdon, Isabel Leonard, Emily Fons, Nathan Gunn, Santa Fe Opera Orchestra, Miguel Harth-Bedoya | C Major | 1 | 8B | 148 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM |
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