"El amor brujo: Ritual Fire Dance - Excerpt" by Manuel de Falla, Deutsches Symphonie-Orchester Berlin, Lorin Maazel was released on January 1, 2006. The duration of El amor brujo: Ritual Fire Dance - Excerpt is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. El amor brujo: Ritual Fire Dance - Excerpt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 21 in Classical Masterpieces Vol. 3 by Helmut Walcha, Daniel Barenboim, Tamás Vásáry, Salvatore Accardo. Based on our statistics, El amor brujo: Ritual Fire Dance - Excerpt's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El amor brujo: Ritual Fire Dance - Excerpt by Manuel de Falla, Deutsches Symphonie-Orchester Berlin, Lorin Maazel is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Piano Concerto No. 3, BB 127, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Daniel Barenboim | F Major | 0 | 7B | 126 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | A♭ Major | 4 | 4B | 126 BPM | ||
2 Pieces for Cello & Orchestra, Op. 20: No. 2, Sérénade espagnole | Alexander Glazunov, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | D Major | 2 | 10B | 99 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
España - Rhapsody for Orchestra | Emmanuel Chabrier, London Symphony Orchestra, Ataúlfo Argenta | F Major | 3 | 7B | 122 BPM |
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