"Les contes d'Hoffmann: "Barcarole"" by Philharmonia Orchestra, Herbert von Karajan was released on January 18, 2013. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philharmonia Orchestra, Herbert von Karajan's "Herbert von Karajan, Vol. 7" album is number 5 out of 8. On top of that, Germany appears to be the country where this track was created. Les contes d'Hoffmann: "Barcarole" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les contes d'Hoffmann: "Barcarole" by Philharmonia Orchestra, Herbert von Karajan to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Vremena goda (the Seasons), Op. 67: Autumn. Petit Adagio [1] | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A Major | 0 | 11B | 81 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 126 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Minor | 5 | 5A | 150 BPM | ||
Tritsch-Tratsch-Polka, Op.214 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | A Major | 5 | 11B | 167 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | D Major | 0 | 10B | 69 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 173 BPM | ||
Hungarian Rhapsody No.2 In C Sharp Minor, S.244 | Franz Liszt, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 170 BPM | ||
Gymnopédie No. 1 | Erik Satie, Louis Lane, The Cleveland Orchestra | G Major | 0 | 9B | 89 BPM |
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