"Gesualdo: Libro Sesto: I" by Michael Finnissy, Exaudi Vocal Ensemble, James Weeks was released on May 18, 2018. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michael Finnissy, Exaudi Vocal Ensemble, James Weeks's "Michael Finnissy Vocal Works 1974-2015" album is number 1 out of 10. Gesualdo: Libro Sesto: I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gesualdo: Libro Sesto: I by Michael Finnissy, Exaudi Vocal Ensemble, James Weeks to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 70 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
On the Nature of Daylight | Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | B♭ Minor | 3 | 3A | 65 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Bach: Cello Suite No.1 In G Major BWV 1007 - 1. Prelude | CHA Medical Center | G Major | 1 | 9B | 80 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Palm-Sunday | Michael Finnissy, Exaudi Vocal Ensemble, Alan Thomas, Jub Davis, Joby Burgess, James Weeks | E Minor | 1 | 9A | 80 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Table For Two | Abel Korzeniowski | B♭ Minor | 1 | 3A | 132 BPM | ||
Mozart: Lacrimosa from Requiem in D Minor (Arr. For Piano and Voice Quartet) | Daniela Santos | D Minor | 3 | 7A | 111 BPM |
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