"Ainadamar: Water and Horse Prelude" by Osvaldo Golijov, Atlanta Symphony Orchestra, Robert Spano, Jeremy Flower was released on January 1, 2006. The duration of Ainadamar: Water and Horse Prelude is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Ainadamar: Water and Horse Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Osvaldo Golijov, Atlanta Symphony Orchestra, Robert Spano's "Golijov: Ainadamar" album is number 1 out of 20. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Ainadamar: Water and Horse Prelude's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Ainadamar: Water and Horse Prelude by Osvaldo Golijov, Atlanta Symphony Orchestra, Robert Spano, Jeremy Flower to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhythm Song | Paul Smadbeck, Evelyn Glennie, Barry Wordsworth | A♭ Minor | 0 | 1A | 103 BPM | ||
Carnival of the Animals, R. 125: XI. The Pianists | Camille Saint-Saëns, Atlanta Symphony Orchestra, Yoel Levi, Itzhak Perlman | C Major | 1 | 8B | 153 BPM | ||
Lontano | György Ligeti, North German Radio Philharmonic Orchestra, Günter Wand | D♭ Major | 0 | 3B | 79 BPM | ||
Railroad (Travel Song) | Meredith Monk, Bruce Brubaker | E Minor | 1 | 9A | 190 BPM | ||
After the Rain: III. Antiphon | Barry Guy, Richard Hickox, City of London Sinfonia | D Major | 3 | 10B | 83 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): III. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 130 BPM | ||
7 Papillons: No. 6. — | Kaija Saariaho, Anssi Karttunen | G Major | 1 | 9B | 96 BPM | ||
Forgotten Dreams #4 | Ernst Reijseger | G Major | 1 | 9B | 123 BPM | ||
Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM | ||
Rêve | Tarkovsky Quartet | E Minor | 0 | 9A | 69 BPM |
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