Sarasate: Danzas españolas: Romanza andaluza, Op. 22, No. 1 - Pablo de Sarasate, Itzhak Perlman Information

Acousticness: 94%
Danceability: 28%
Energy: 17%
Instrumentalness: 18%
Liveness: 10%
Loudness: 75%
Speechiness: 4%
Valence: 24%
Popularity: 16%
Loudness: -14.882 dB

Summary

Pablo de Sarasate, Itzhak Perlman's 'Sarasate: Danzas españolas: Romanza andaluza, Op. 22, No. 1' came out on September 25, 2015. With this song being about 5 minutes long, at 4:51, "Sarasate: Danzas españolas: Romanza andaluza, Op. 22, No. 1" by Pablo de Sarasate, Itzhak Perlman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 26 in Encores by Itzhak Perlman. In terms of popularity, Sarasate: Danzas españolas: Romanza andaluza, Op. 22, No. 1 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sarasate: Danzas españolas: Romanza andaluza, Op. 22, No. 1 BPM

The tempo marking of Sarasate: Danzas españolas: Romanza andaluza, Op. 22, No. 1 by Pablo de Sarasate, Itzhak Perlman is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Sarasate: Danzas españolas: Romanza andaluza, Op. 22, No. 1 Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico)	Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly	G Major	2	9B	93 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	87 BPM
Seitz: Student Concerto No. 2 in G Major, Op. 13: III. Allegretto moderato	Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra	G Major	1	9B	135 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	G Major	1	9B	95 BPM
Touch Her Soft Lips and Part (From "Henry V")	William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra	B Minor	1	10A	93 BPM
Concerto For 2 Harpsichords, Strings, And Continuo In C Minor, BWV 1060 - Arr. For Violin, Oboe, Strings & Continuo: 1. Allegro	Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane	C Minor	4	5A	102 BPM
Pelléas et Mélisande, Op. 80: 4. Sicilienne	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegretto non troppo - Allegro molto vivace	Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra	E Major	2	12B	85 BPM
Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile)	Richard Strauss, Itzhak Perlman, Emanuel Ax	A♭ Major	2	4B	81 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7834312915802002

End: 0.7881157398223877