Andrés Segovia, Girolamo Frescobaldi's 'Aria detta la Frescobalda (arr. A. Segovia for guitar)' came out on January 6, 2015. With this song being about 5 minutes long, at 5:19, "Aria detta la Frescobalda (arr. A. Segovia for guitar)" by Andrés Segovia, Girolamo Frescobaldi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 33 in the song's album "The Very Best of Andrés Segovia". In this album, this song's track order is #1. Aria detta la Frescobalda (arr. A. Segovia for guitar) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aria detta la Frescobalda (arr. A. Segovia for guitar) by Andrés Segovia, Girolamo Frescobaldi having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Portrait - Arr. Göran Söllscher | Stanley Myers, Göran Söllscher | A♭ Major | 0 | 4B | 82 BPM | ||
Suite Mística: Dipsô | V. Asencio, Andrés Segovia | A Minor | 0 | 8A | 79 BPM | ||
Sevillana | Joaquín Turina, Andrés Segovia | C Major | 1 | 8B | 72 BPM | ||
Abdelazar Suite, Z. 570: II. Rondo (arr. B. Kanengiser) | Henry Purcell, Bill Kanengiser, Los Angeles Guitar Quartet | D Minor | 1 | 7A | 92 BPM | ||
Passacaglia - Remastered | Andres Segovia Torres, Andrés Segovia | A Minor | 3 | 8A | 76 BPM | ||
Sonata in D Minor, Kk. 89: II. Grave (Transcr. for Mandolin and Basso continuo) | Domenico Scarlatti, Avi Avital, Yizhar Karshon, Ophira Zakai, Patric Zepec | D Minor | 0 | 7A | 106 BPM | ||
Suite for Cello Solo No. 1 in G, BWV 1007: 1. Prélude | Johann Sebastian Bach, Andrés Segovia | A Major | 3 | 11B | 172 BPM | ||
Suite populaire brésilienne, W020: No. 1, Mazourka-choro | Manuel Barrueco | D Major | 1 | 10B | 114 BPM | ||
Prelude No.1 - Melodía lírica | Heitor Villa-Lobos, Pablo Sainz Villegas | E Minor | 3 | 9A | 127 BPM |
Section: 1.0188467502593994
End: 1.0229542255401611