Catherine Miro made "Turn It Upside Down" available on August 26, 2022. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Catherine Miro's "Moonlight" album is number 6 out of 6. Based on our statistics, Turn It Upside Down's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Turn It Upside Down by Catherine Miro to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
That's Okay | The Hush Sound | C Major | 4 | 8B | 124 BPM | ||
Back Home | JJ Heller | A Major | 3 | 11B | 134 BPM | ||
I Love You | Earl | D Major | 6 | 10B | 114 BPM | ||
Treble Heart | Anna Graceman | A Minor | 5 | 8A | 160 BPM | ||
Everything Breaks | Jewel | D♭ Major | 3 | 3B | 146 BPM | ||
Heavy | Holly Brook | E♭ Major | 5 | 5B | 105 BPM | ||
Don't Dream It's Over - AOL Sessions Acoustic Version | Sixpence None The Richer | F Major | 3 | 7B | 83 BPM | ||
Blank Space | Scott Bradlee's Postmodern Jukebox, Ariana Savalas | E♭ Major | 5 | 5B | 111 BPM | ||
Seriously | Beulah | G Minor | 5 | 6A | 130 BPM | ||
Lover, You Should've Come Over | Natalie Maines | F Major | 3 | 7B | 113 BPM |
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