Francis Poulenc's 'Trois mouvements perpétuels, FP 14: I. Assez modéré' came out on 1951. With Trois mouvements perpétuels, FP 14: I. Assez modéré being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francis Poulenc's "Meet the Composer - Francis Poulenc Playing His Own Works" album is number 1 out of 23. Trois mouvements perpétuels, FP 14: I. Assez modéré is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Trois mouvements perpétuels, FP 14: I. Assez modéré by Francis Poulenc to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne | Lili Boulanger, Juliette Hurel, Hélène Couvert | F Major | 0 | 7B | 62 BPM | ||
7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | A Major | 2 | 11B | 103 BPM | ||
Elegies BV 249: VII. Berceuse | Ferruccio Busoni, Igor Levit | C Major | 0 | 8B | 67 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 2 in C Minor, BWV 847: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | C Major | 0 | 8B | 72 BPM | ||
Nocturne No.18 In E, Op.62 No.2 | Frédéric Chopin, Daniel Barenboim | E Major | 0 | 12B | 68 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Six Pieces For Piano: 3. Notturno | Ottorino Respighi, Anna Gourari | G Minor | 1 | 6A | 96 BPM | ||
6 Consolations, S. 172: No. 4 in D-Flat Major (Quasi Adagio) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 99 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Siren: Lilacs, Op. 21, No. 5 | Sergei Rachmaninoff | A♭ Major | 0 | 4B | 67 BPM |
Section: 0.7598819732666016
End: 0.8046135902404785