"Brigg Fair" by Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras was released on January 1, 1990. Brigg Fair appears to be safe for all ages as it is not explicit. The song is number 1 out of 17 in Delius: Orchestral Works by Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Brigg Fair's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brigg Fair by Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 5. Enterrement de Kijé | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 104 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 114 BPM | ||
Le nozze di Figaro, K. 492: Aria. Non tardar, amato bene (Variant) [Arr. C. Mackerras] | Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Nuccia Focile | B♭ Major | 1 | 6B | 176 BPM | ||
Giulio Cesare / Act 1: Va tacito e nascosto | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 132 BPM | ||
Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Joakim Svenheden | A Minor | 5 | 8A | 93 BPM | ||
Prélude à l'après-midi d'un faune | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel Pahud | A♭ Minor | 0 | 1A | 84 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
2 Pieces for Strings from Henry V: No. 1. Passacaglia: Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | E Minor | 1 | 9A | 86 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: III. Andantino | Paul Hindemith, Leonard Bernstein, New York Philharmonic | F Minor | 1 | 4A | 84 BPM |
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