Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht - Gustav Mahler, Leonard Bernstein, New York Philharmonic Information

Acousticness: 98%
Danceability: 9%
Energy: 4%
Instrumentalness: 16%
Liveness: 8%
Loudness: 54%
Speechiness: 5%
Valence: 4%
Popularity: 16%
Loudness: -27.504 dB

Summary

"Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht" by Gustav Mahler, Leonard Bernstein, New York Philharmonic was released on 1964. With this song being about 5 minutes long, at 5:29, "Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht" by Gustav Mahler, Leonard Bernstein, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Philip Glass, Christopher Keene, Philip Glass, Christopher Keene, Gustav Mahler, Leonard Bernstein's "Mahler: Symphony No. 2 in C Minor "Resurrection"" album is number 3 out of 4. Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht BPM

We consider the tempo marking of Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht by Gustav Mahler, Leonard Bernstein, New York Philharmonic to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pictures At An Exhibition (Orch. Ravel): Promenade II	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	A♭ Major	0	4B	80 BPM
Vier letzte Lieder, TrV 296: 2. September	Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur	D Major	1	10B	153 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto	Dmitri Shostakovich, Mariss Jansons, Mikhail Rudy, Ole Edvard Antonsen, Berliner Philharmoniker	D Major	0	10B	128 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul)	Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle	B♭ Major	1	6B	83 BPM
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	E Minor	1	9A	96 BPM
Reves	David Abramovitz, Claire Brua, Maurice Ravel	G Minor	0	6A	89 BPM
Simple Symphony, Op. 4: III. Sentimental Sarabande	Benjamin Britten, Camerata Nordica, Terje Tonnesen	G Minor	0	6A	85 BPM
Symphony No. 6 In B Minor, Op. 74, TH.30: 2. Allegro con grazia	Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov	D Major	1	10B	140 BPM
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIV. Komm! Komm!	Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Juliane Banse, London Symphony Chorus	B♭ Minor	0	3A	79 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7132902145385742

End: 0.7171647548675537