Martha Scanlan's ' "The West Was Burning" was released on its scheduled release date, January 1, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "The West Was Burning". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, The West Was Burning's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The West Was Burning by Martha Scanlan having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Won’t You Come and Sing for Me | Anna & Elizabeth | B♭ Major | 2 | 6B | 100 BPM | ||
Empty Train | David Francey | C Major | 4 | 8B | 126 BPM | ||
Sleep Please Come to Me | Matthew Barber | E Major | 4 | 12B | 110 BPM | ||
Detour Sign | Aoife O'Donovan | E Major | 5 | 12B | 92 BPM | ||
Stadium Inn | Jonny Fritz | E Major | 3 | 12B | 114 BPM | ||
You Say | Dori Freeman | D Major | 2 | 10B | 82 BPM | ||
Tired of This Life | Dawn Landes | B Major | 2 | 1B | 128 BPM | ||
The Rio Grande | Kacy & Clayton | B♭ Major | 4 | 6B | 119 BPM | ||
Hard On You | Daniel Romano | F Major | 5 | 7B | 118 BPM | ||
Nearing Home | Lillie Mae | G Major | 3 | 9B | 141 BPM | ||
Heart Like a Wheel | Zoe Muth and the Lost High Rollers | A Major | 5 | 11B | 101 BPM | ||
Here In California | Caroline Herring | A Major | 2 | 11B | 115 BPM | ||
By Your Side | the everybodyfields | B Major | 3 | 1B | 123 BPM | ||
Dim Star Of The Palisades | Birds of Chicago | E Major | 3 | 12B | 119 BPM | ||
Down in the Lonesome Draw | Cahalen Morrison & Eli West | A Major | 3 | 11B | 144 BPM | ||
Too Long (I've Been Gone) | Dom Flemons | F Major | 1 | 7B | 102 BPM | ||
Sorrow Be the Bird | Lula Wiles | B Major | 2 | 1B | 115 BPM | ||
I'm Sorry Charlene | Cicada Rhythm | F♯ Major | 2 | 2B | 122 BPM | ||
No Ordinary Blue | John Prine | A Major | 3 | 11B | 87 BPM | ||
She Was The World To Me | Daniel Romano | G Major | 3 | 9B | 81 BPM | ||
Where Berries Grow | Ana Egge | A♭ Major | 4 | 4B | 90 BPM | ||
A Rock & Roll Heart | Driftwood | C Major | 2 | 8B | 155 BPM | ||
Set Me Up High | Martha Scanlan | C Major | 2 | 8B | 87 BPM | ||
Shaking as It Turns | Lula Wiles | E Major | 5 | 12B | 103 BPM | ||
Calgary | Kacy & Clayton | A Major | 7 | 11B | 110 BPM |