Nocturnes: 5. No.5 by Erik Satie, Pascal Rogé

Song Analysis

Audio information that is featured on Nocturnes: 5. No.5 by Erik Satie, Pascal Rogé.

Acousticness

100%

Energy

4%

Liveness

7%

Speechiness

5%

Danceability

51%

Instrumentalness

95%

Loudness

58%

Valence

14%

Harmonic Matches

Find songs that harmonically matches to Nocturnes: 5. No.5 by Erik Satie, Pascal Rogé. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio by Heitor Villa-Lobos, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise, French National Radio OrchestraBachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) AdagioHeitor Villa-Lobos, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise, French National Radio OrchestraD Minor27A89
Rhapsody On A Theme Of Paganini, op. 43 by Julius Katchen, Sir Adrian Boult, London Philharmonic OrchestraRhapsody On A Theme Of Paganini, op. 43Julius Katchen, Sir Adrian Boult, London Philharmonic OrchestraD Minor17A85
3 Gymnopedies: No. 2. Lent et triste by Erik Satie, Alessandro Deljavan3 Gymnopedies: No. 2. Lent et tristeErik Satie, Alessandro DeljavanD Minor07A64
3 Gymnopedies (arr. A. Miolin): Gymnopédie nr 2 by Anders Miolin, Erik Satie, Olof Hojer3 Gymnopedies (arr. A. Miolin): Gymnopédie nr 2Anders Miolin, Erik Satie, Olof HojerD Minor07A131
Nonchalantry Prelude by Pascal RogéNonchalantry PreludePascal RogéD Minor17A116
Lyric Pieces Book IV, Op.47: No. 3 Melodie by Edvard Grieg, Emil GilelsLyric Pieces Book IV, Op.47: No. 3 MelodieEdvard Grieg, Emil GilelsD Minor07A73
YSL (feat. Gianna Famulari) by Riccardo Eberspacher, Gianna FamulariYSL (feat. Gianna Famulari)Riccardo Eberspacher, Gianna FamulariD Minor67A100
Gymnopédie No. 2 by Erik Satie, Philippe EntremontGymnopédie No. 2Erik Satie, Philippe EntremontD Minor07A67
Gymnopedie No.2 by Pascal RogéGymnopedie No.2Pascal RogéD Minor07A69
Gnossienne No.2 by Pascal RogéGnossienne No.2Pascal RogéD Minor07A74
Gnossienne: No. 2 by Erik Satie, Alexandre TharaudGnossienne: No. 2Erik Satie, Alexandre TharaudD Minor07A71
N2 Lent Et Triste 3 Gymnopedies by Aldo CiccoliniN2 Lent Et Triste 3 GymnopediesAldo CiccoliniF Major07B134
Fracture by AmanaskaFractureAmanaskaF Major47B94
L'Arlésienne Suite No.1, WD 40: 3. Adagietto by Georges Bizet, Orchestre Symphonique de Montréal, Charles DutoitL'Arlésienne Suite No.1, WD 40: 3. AdagiettoGeorges Bizet, Orchestre Symphonique de Montréal, Charles DutoitF Major07B86
Sospiri, Op.70 - Adagio For Strings, Harp And Organ, Op.70 by Edward Elgar, Wiener Philharmoniker, John Eliot GardinerSospiri, Op.70 - Adagio For Strings, Harp And Organ, Op.70Edward Elgar, Wiener Philharmoniker, John Eliot GardinerF Major07B52
Spiegel im Spiegel by Arvo Pärt, Nicola Benedetti, Alexei GrynyukSpiegel im SpiegelArvo Pärt, Nicola Benedetti, Alexei GrynyukF Major07B79
Interlude To Water by Pascal RogéInterlude To WaterPascal RogéF Major07B67
Kinderszenen, Op. 15: 7. Träumerei by Robert Schumann, Martha ArgerichKinderszenen, Op. 15: 7. TräumereiRobert Schumann, Martha ArgerichF Major07B130
Symphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsam by Gustav Mahler, Polish National Radio Symphony Orchestra, Antoni WitSymphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsamGustav Mahler, Polish National Radio Symphony Orchestra, Antoni WitF Major07B80
Gymnopedies : No.2 by Håkon Austbø, Erik SatieGymnopedies : No.2Håkon Austbø, Erik SatieF Major07B68
Barcarolle by Jacques Offenbach, Andrea Bocelli, London Symphony Orchestra, Lorin MaazelBarcarolleJacques Offenbach, Andrea Bocelli, London Symphony Orchestra, Lorin MaazelF Major37B73
Ave Maria, CG89a (from Bach Prelude in C, BWV 846) by Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward HigginbottomAve Maria, CG89a (from Bach Prelude in C, BWV 846)Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward HigginbottomF Major17B131
Spiegel im spiegel by Arvo Pärt, Angèle Dubeau, La PietàSpiegel im spiegelArvo Pärt, Angèle Dubeau, La PietàF Major17B84
Prelude To Little Spring [Yoshimatsu] by Pascal RogéPrelude To Little Spring [Yoshimatsu]Pascal RogéF Major07B65
Spiegel im Spiegel by Arvo Pärt, Lisa Batiashvili, Hélène GrimaudSpiegel im SpiegelArvo Pärt, Lisa Batiashvili, Hélène GrimaudF Major07B75
Norma (1997 Digital Remaster): Casta Diva by Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, MilanoNorma (1997 Digital Remaster): Casta DivaMaria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, MilanoF Major17B169
Light of Dawn by Maria PalomaLight of DawnMaria PalomaF Major07B69
Le Piccadilly by Aldo CiccoliniLe PiccadillyAldo CiccoliniF Major17B94
Croquis Et Agaceries D'un Gros Bonhomme: En Bois Espanana by Pascal RogéCroquis Et Agaceries D'un Gros Bonhomme: En Bois EspananaPascal RogéF Major17B102

Nocturnes: 5. No.5 by Erik Satie, Pascal Rogé Information

This song is track #32 in Satie for reading by Erik Satie, Pascal Rogé, which has a total of 50 tracks. The duration of this track is 1:53 and was released on June 6, 2021. As of now, this track is currently not as popular as other songs out there. Nocturnes: 5. No.5 doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Nocturnes: 5. No.5 BPM

Nocturnes: 5. No.5 has a BPM of 71. Since this track has a tempo of 71, the tempo markings of this song would be Adagio (slowly with great expression). Overall, we believe that this song has a slow tempo.

Nocturnes: 5. No.5 Key

The key of Nocturnes: 5. No.5 is D Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

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