Binnie Hale's 'You're Blase (from 'Bow Bells')' came out on December 31, 1899. The duration of You're Blase (from 'Bow Bells') is about 3 minutes long, at 3:13. Based on our data, "You're Blase (from 'Bow Bells')" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "The Golden Age Of Binnie & Bobby". In this album, this song's track order is #5. You're Blase (from 'Bow Bells') is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With You're Blase (from 'Bow Bells') by Binnie Hale having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shine on Harvest Moon | Laurel and Hardy | D♭ Major | 5 | 3B | 119 BPM | ||
Goodnight Irene | The Weavers | F Major | 3 | 7B | 142 BPM | ||
Sand in My Shoes | Leif Smoke Rings Anderson, Connie Boswell, Victor Young Orchestra | G Minor | 1 | 6A | 119 BPM | ||
I'll Walk Beside You | John McCormack | A Major | 2 | 11B | 167 BPM | ||
S'wonderful | Georges Guétary | A♭ Major | 3 | 4B | 72 BPM | ||
At The Ball, That’s All | Laurel and Hardy | B Major | 3 | 1B | 132 BPM | ||
Maybe It's Because I'm a Londoner | Flanagan & Allen | C Minor | 2 | 5A | 80 BPM | ||
The Girl Who Loves a Soldier | Lew Stone | F Major | 3 | 7B | 126 BPM | ||
I Get Along Without You Very Well | Lew Stone | C Major | 1 | 8B | 122 BPM | ||
Keep The Home Fires Burning ('Till The Boys Come Home) | Nora Bayes, Murray Johnson, John McCormack | A Major | 2 | 11B | 167 BPM |
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