Così fan tutte, Act 1, Scene 3: No. 11 Aria: Smanie implacabili che m'agitate (Dorabella) - Wiener Philharmoniker, Riccardo Muti, Agnes Baltsa Information

Acousticness: 98%
Danceability: 36%
Energy: 15%
Instrumentalness: 0%
Liveness: 38%
Loudness: 68%
Speechiness: 8%
Valence: 15%
Popularity: 5%
Loudness: -19.075 dB

Summary

"Così fan tutte, Act 1, Scene 3: No. 11 Aria: Smanie implacabili che m'agitate (Dorabella)" by Wiener Philharmoniker, Riccardo Muti, Agnes Baltsa was released on August 2, 2013. The duration of Così fan tutte, Act 1, Scene 3: No. 11 Aria: Smanie implacabili che m'agitate (Dorabella) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Così fan tutte, Act 1, Scene 3: No. 11 Aria: Smanie implacabili che m'agitate (Dorabella)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 20 out of 214. In terms of popularity, Così fan tutte, Act 1, Scene 3: No. 11 Aria: Smanie implacabili che m'agitate (Dorabella) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Così fan tutte, Act 1, Scene 3: No. 11 Aria: Smanie implacabili che m'agitate (Dorabella) BPM

We consider the tempo marking of Così fan tutte, Act 1, Scene 3: No. 11 Aria: Smanie implacabili che m'agitate (Dorabella) by Wiener Philharmoniker, Riccardo Muti, Agnes Baltsa to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Così fan tutte, Act 1, Scene 3: No. 11 Aria: Smanie implacabili che m'agitate (Dorabella) Key

The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Consolation No. 3 in D-Flat Major, S. 172/3	Franz Liszt, Vladimir Horowitz	D♭ Major	0	3B	70 BPM
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925	Janos Sebestyen, Johann Sebastian Bach	D Major	3	10B	139 BPM
Gavotte (Paride ed Elena)	Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio	A Major	0	11B	98 BPM
Minuet from String Quintet in E Major, Op. 13 No. 5	Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra	A Major	0	11B	86 BPM
Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (e) Variation IV	Wolfgang Amadeus Mozart, YUNDI	B♭ Major	0	6B	79 BPM
Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante	Wolfgang Amadeus Mozart, Renaud Capuçon, Antoine Tamestit, Louis Langrée, Scottish Chamber Orchestra	C Minor	1	5A	91 BPM
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau	Johann Sebastian Bach, Hilary Hahn	E Major	1	12B	112 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor	Sergei Rachmaninoff, Nikolai Lugansky	G Minor	1	6A	113 BPM
Piano Concerto No. 27 in B-Flat Major, K. 595: 2. Larghetto - Live	Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland Orchestra	E♭ Major	0	5B	72 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8313474655151367

End: 0.83467698097229