- BPM
- 109
- Key
- G Major
- Camelot
- 9B
On Hearing The First Cuckoo In Spring - Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras Information
- Acousticness
- 75%
- Danceability
- 16%
- Energy
- 1%
- Instrumentalness
- 78%
- Liveness
- 6%
- Loudness
- 39%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 15%
- Loudness
- -36.336 dB
Summary
"On Hearing The First Cuckoo In Spring" by Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras was released on January 1, 1990. Since On Hearing The First Cuckoo In Spring is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 17 in Delius: Orchestral Works by Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras. In terms of popularity, On Hearing The First Cuckoo In Spring is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
On Hearing The First Cuckoo In Spring BPM
The tempo marking of On Hearing The First Cuckoo In Spring by Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
On Hearing The First Cuckoo In Spring Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | A Village Romeo and Juliet: The Walk to the Paradise Garden | Frederick Delius, Richard Hickox, Bournemouth Symphony Orchestra | E Major | 0 | 12B | 135 BPM | |
 | Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | |
 | Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | |
 | Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | |
 | The Gadfly Suite, Op. 97a: VIII. Romance | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 139 BPM | |
 | Xerxes Hv 40 - Ombra Mai Fù - Largo Instrumental | English Chamber Orchestra, Sir Charles Mackerras | F Major | 0 | 7B | 139 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Dvorák: Serenade for Strings, Op. 22, B. 52: I. Moderato | Antonín Dvořák, English Chamber Orchestra & Sir Charles Mackerras, Sir Charles Mackerras, English Chamber Orchestra | E Major | 0 | 12B | 80 BPM | |
 | Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | |
 | Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6914145946502686
End: 0.6965136528015137