Erik Satie, Alexandre Tharaud's 'Les Trois Valses distinguées du précieux dégoûté: Les Trois Valses distinguées du précieux dégoûté: I. Sa taille' came out on January 20, 2009. With Les Trois Valses distinguées du précieux dégoûté: Les Trois Valses distinguées du précieux dégoûté: I. Sa taille being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #8. Les Trois Valses distinguées du précieux dégoûté: Les Trois Valses distinguées du précieux dégoûté: I. Sa taille is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Trois Valses distinguées du précieux dégoûté: Les Trois Valses distinguées du précieux dégoûté: I. Sa taille by Erik Satie, Alexandre Tharaud having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Preludes, Op. 23: No. 2 in B-Flat Major: Maestoso | Sergei Rachmaninoff, Eldar Nebolsin | D♭ Major | 1 | 3B | 63 BPM | ||
Valses nobles et sentimentales: IV. Assez animé | Maurice Ravel, Alexandre Tharaud | E Major | 0 | 12B | 112 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Pièces de viole, Book 3, Suite in A Minor: III. Courante | Marin Marais, Jean-Guihen Queyras, Alexandre Tharaud | A Minor | 1 | 8A | 109 BPM | ||
Kitsch-Musik: I. Allegro vivace | Valentin Silvestrov, Elisaveta Blumina | G Minor | 0 | 6A | 66 BPM | ||
Papillons, Op. 2: VII. Semplice | Robert Schumann, Boris Giltburg | F Minor | 0 | 4A | 68 BPM | ||
6 Consolations, S. 172: No. 5 in E Major (Andantino) | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 81 BPM | ||
Promenade sentimentale (From "Diva") | Vladimir Cosma, Alexandre Tharaud | A Minor | 0 | 8A | 66 BPM |
Section: 0.6901383399963379
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