Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra made "Capriccio Espagnol, Op. 34: I. Alborada" available on May 22, 2020. With Capriccio Espagnol, Op. 34: I. Alborada being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Nikolay Rimsky-Korsakov: Capriccio Espagnol, Op. 34, Russian Easter Festival Overture, Op. 36 & Scheherazade, Op. 35". In this album, this song's track order is #1. Based on our statistics, Capriccio Espagnol, Op. 34: I. Alborada's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Capriccio Espagnol, Op. 34: I. Alborada by Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Hamlet" - music from the film: In the Garden | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | G Major | 0 | 9B | 140 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Petrouchka - Three Movements for Piano (1921) / Scene 1: IV. Russian Dance | Igor Stravinsky, Yuja Wang | A Minor | 3 | 8A | 118 BPM | ||
Peer Gynt Suite No.2 op. 55 Arab Dance ( Allegretto vivace) | Academy of St. Martin in the Fields | A Minor | 2 | 8A | 126 BPM | ||
Act 2: XXII. Folk Dance | Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra | G Major | 2 | 9B | 141 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov): The Tale of Tsar Saltan: Flight of the Bumble-bee (arr. S. Rachmaninov) | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Vladimir Horowitz | A Minor | 1 | 8A | 95 BPM | ||
Violin Concerto in D Minor, MVW O3: III. Allegro | Felix Mendelssohn, Daniel Hope, Kammerorchester Basel | E Major | 2 | 12B | 139 BPM | ||
Symphony No. 2 in A Major: I. Moderato | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 3 | 11B | 112 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM |
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