"5 Morceaux de fantaisie, Op. 3: No. 2, Prelude in C-Sharp Minor" by Sergei Rachmaninoff was released on May 1, 2021. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 30 in Dark Academia - The Darkest... by Various Artists. 5 Morceaux de fantaisie, Op. 3: No. 2, Prelude in C-Sharp Minor is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 5 Morceaux de fantaisie, Op. 3: No. 2, Prelude in C-Sharp Minor by Sergei Rachmaninoff is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die schöne Müllerin, D. 795: II. Wohin? (Arr. Rachmaninov) | Franz Schubert, Olga Kern, Sergei Rachmaninoff | D Minor | 1 | 7A | 135 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 1. Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | G Major | 3 | 9B | 141 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Suite No. 1 for 2 Pianos, Op. 5 "Fantaisie-tableaux": III. Tears | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 3 | 7A | 92 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM |
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