"Violin Concerto "To the Memory of an Angel": II. Allegro - Adagio" by Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine was released on January 1, 2003. Violin Concerto "To the Memory of an Angel": II. Allegro - Adagio appears to be safe for all ages as it is not explicit. The song is number 8 out of 110 in Alban Berg Collection by Alban Berg, Claudio Abbado, James Levine, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Violin Concerto "To the Memory of an Angel": II. Allegro - Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto "To the Memory of an Angel": II. Allegro - Adagio by Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4, Op. 29 "The Inextinguishable": III. Poco adagio quasi andante | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | D♭ Major | 3 | 3B | 95 BPM | ||
Vers la flamme, Op. 72 | Alexander Scriabin, Vladimir Ashkenazy | C Minor | 2 | 5A | 75 BPM | ||
3 Pieces for String Quartet: No. 2 | Igor Stravinsky, Goldner String Quartet | D Minor | 0 | 7A | 75 BPM | ||
Wozzeck / Act III: Scene V: Street Before Marie's Door. "Ringel, Ringel, Rosenkranz" | Alban Berg, Viktoria Lehner, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 140 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 3 Farben (Colours) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 0 | 11B | 72 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Statements for Orchestra: I. Militant | Aaron Copland, London Symphony Orchestra | A♭ Major | 1 | 4B | 111 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: II. Seconda parte. Allegro | Béla Bartók, Belcea Quartet | C Minor | 1 | 5A | 114 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM |
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