Louisina Polka in D Major, T. 4 by Bedřich Smetana, Christian Ehwald, Kosice Philharmonic Orchestra

Song Analysis

Audio information that is featured on Louisina Polka in D Major, T. 4 by Bedřich Smetana, Christian Ehwald, Kosice Philharmonic Orchestra.

Acousticness

94%

Energy

8%

Liveness

20%

Speechiness

4%

Danceability

29%

Instrumentalness

70%

Loudness

67%

Valence

45%

Harmonic Matches

Find songs that harmonically matches to Louisina Polka in D Major, T. 4 by Bedřich Smetana, Christian Ehwald, Kosice Philharmonic Orchestra. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Pizzicato Polka by Léo Delibes, Eugene Ormandy, Philadelphia OrchestraPizzicato PolkaLéo Delibes, Eugene Ormandy, Philadelphia OrchestraE♭ Major15B143
Peter and the Wolf, Op. 67 (Without Narration): Peter in the meadow by Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej LenardPeter and the Wolf, Op. 67 (Without Narration): Peter in the meadowSergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej LenardE♭ Major05B115
Lyric Pieces, Book 1, Op. 12: Arietta by Edvard Grieg, Einar Steen-NøklebergLyric Pieces, Book 1, Op. 12: AriettaEdvard Grieg, Einar Steen-NøklebergE♭ Major05B111
Act II: Cielo e mar! by Amilcare Ponchielli, Enrico CarusoAct II: Cielo e mar!Amilcare Ponchielli, Enrico CarusoE♭ Major15B131
Concerto No. 1 In G Minor for Violin and Orchestra, Op. 26: II Adagio by Max Bruch, Philharmonia Slavonica, Helena SpitkovaConcerto No. 1 In G Minor for Violin and Orchestra, Op. 26: II AdagioMax Bruch, Philharmonia Slavonica, Helena SpitkovaE♭ Major15B93
Violin Concerto, No. 1 in G-Minor, op. 26: II. Adagio by Philharmonia Slavonica, Alberto Lizzio, Helena SpitkovaViolin Concerto, No. 1 in G-Minor, op. 26: II. AdagioPhilharmonia Slavonica, Alberto Lizzio, Helena SpitkovaE♭ Major15B95
La Flauta Magica (Obertura 6) by Herbert von KarajanLa Flauta Magica (Obertura 6)Herbert von KarajanE♭ Major15B90
Gayane Suite No. 2: VI. Sabre Dance by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre AnichanovGayane Suite No. 2: VI. Sabre DanceAram Khachaturian, St. Petersburg State Symphony Orchestra, Andre AnichanovE♭ Major85B91
Suite española No. 1, Op. 47: Asturias (Leyenda) by Isaac Albéniz, Alicia de LarrochaSuite española No. 1, Op. 47: Asturias (Leyenda)Isaac Albéniz, Alicia de LarrochaE♭ Major15B134
Louisina Polka in E-Flat Major, JB 1:1 by Bedřich Smetana, Jan NovotnýLouisina Polka in E-Flat Major, JB 1:1Bedřich Smetana, Jan NovotnýE♭ Major15B107
Candide: Overture by Leonard Bernstein, New York PhilharmonicCandide: OvertureLeonard Bernstein, New York PhilharmonicE♭ Major45B82
Sylvia: Pizzicato by Léo Delibes, Slovak Philharmonic, Ondrej LenardSylvia: PizzicatoLéo Delibes, Slovak Philharmonic, Ondrej LenardE♭ Major05B159
Piano Trio in E flat, H.XV No.10: 2. Presto by Franz Joseph Haydn, Beaux Arts TrioPiano Trio in E flat, H.XV No.10: 2. PrestoFranz Joseph Haydn, Beaux Arts TrioE♭ Major25B86
Jazz Suite No. 2: VI. Waltz 2 by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyJazz Suite No. 2: VI. Waltz 2Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyC Minor25A108
Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat by Hector Berlioz, London Symphony Orchestra, Valery GergievSymphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbatHector Berlioz, London Symphony Orchestra, Valery GergievC Minor15A60
Adagio by Tomaso Albinoni, Angèle Dubeau, Rachel LaurinAdagioTomaso Albinoni, Angèle Dubeau, Rachel LaurinC Minor05A140
Suite No. 3, P. 172: III. Siciliana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: III. Siciliana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraC Minor05A93
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio by Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. AdagioCarl Maria von Weber, Nino Gvetadze, Frederieke SaeijsC Minor05A81
Sarasate: Zigeunerweisen, Op. 20 by Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleSarasate: Zigeunerweisen, Op. 20Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleC Minor15A83
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich, André Cluytens, Orchestra National de la Radiodiffusion FrancaiseShostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. AndanteDmitri Shostakovich, André Cluytens, Orchestra National de la Radiodiffusion FrancaiseC Minor05A174
Verklarte Nacht (Transfigured Night), Op. 4: Sehr langsam - by Arnold Schoenberg, Fred Sherry String SextetVerklarte Nacht (Transfigured Night), Op. 4: Sehr langsam -Arnold Schoenberg, Fred Sherry String SextetC Minor15A59
Violin Concerto, No. 1 in G-Minor, op. 26: I. Prelude: Allegro moderato by Philharmonia Slavonica, Alberto Lizzio, Helena SpitkovaViolin Concerto, No. 1 in G-Minor, op. 26: I. Prelude: Allegro moderatoPhilharmonia Slavonica, Alberto Lizzio, Helena SpitkovaC Minor15A107

Louisina Polka in D Major, T. 4 by Bedřich Smetana, Christian Ehwald, Kosice Philharmonic Orchestra Information

This song is track #23 in Smetana Famous Pieces by Bedřich Smetana, Christian Ehwald, Kosice Philharmonic Orchestra, which has a total of 30 tracks. The duration of this track is 3:27 and was released on January 18, 2020. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Louisina Polka in D Major, T. 4 might be one of them, due to it's low energy and danceability.

Louisina Polka in D Major, T. 4 BPM

Louisina Polka in D Major, T. 4 has a BPM of 171. Since this track has a tempo of 171, the tempo markings of this song would be Vivace (lively and fast). Overall, we believe that this song has a fast tempo.

Louisina Polka in D Major, T. 4 Key

The key of Louisina Polka in D Major, T. 4 is E♭ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

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