"Torna a Surriento" by Roberto Alagna, London Orchestra, Yvan Cassar, Avi Avital, Nemanja Radulović was released on October 28, 2016. With this song being about 5 minutes long, at 4:36, "Torna a Surriento" by Roberto Alagna, London Orchestra, Yvan Cassar, Avi Avital, Nemanja Radulović is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Roberto Alagna, London Orchestra, Yvan Cassar's "Malèna" album is number 5 out of 17. Torna a Surriento is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Torna a Surriento by Roberto Alagna, London Orchestra, Yvan Cassar, Avi Avital, Nemanja Radulović to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantami | Anna Netrebko, Yusif Eyvazov, Session Orchestra London, Ben Foster | A♭ Major | 6 | 4B | 85 BPM | ||
Adagio for Mandolin and Harpsichord in E Flat Major, WoO 43b (Transcr. for Mandolin and Harp) | Ludwig van Beethoven, Avi Avital, Anneleen Lenaerts | E♭ Major | 0 | 5B | 80 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Parla piu piano (Thème du Parrain) | Roberto Alagna, Yvan Cassar, Paris Symphony Orchestra | B Minor | 4 | 10A | 137 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Inconsolable | Rafael Hernandez Marin, Roberto Alagna, Yvan Cassar, Christophe Guiot, Claude Engel, Laurent Vernerey, Daniel Ciampolini, Jean Philippe Audin, Lionel Suarez, Nicolas Montazaud, Francisco Gonzalez | F Minor | 4 | 4A | 184 BPM | ||
Ferré / Transc Ducros: Colloque sentimental | Léo Ferré, Philippe Jaroussky, Jerome Ducros, Quatuor Ébène | D Minor | 1 | 7A | 116 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Beverly Sills, Paul Plishka, John Alldis Choir, New Philharmonia Orchestra, James Levine | G Major | 1 | 9B | 87 BPM | ||
Vitti 'na crozza | Roberto Alagna | E♭ Major | 3 | 5B | 88 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM |
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