"Music for Children, Op. 65: XII. Moonlit Meadows" by Sergei Prokofiev, Varduhi Yeritsyan was released on April 30, 2020. With Music for Children, Op. 65: XII. Moonlit Meadows being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sweet Dreams". In this album, this song's track order is #22. Furthermore, we believe that the track originated from France. The popularity of Music for Children, Op. 65: XII. Moonlit Meadows is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Music for Children, Op. 65: XII. Moonlit Meadows by Sergei Prokofiev, Varduhi Yeritsyan having a BPM of 233 with a half-time of 116 BPM and a double-time of 466 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | D♭ Minor | 1 | 12A | 86 BPM | ||
Symphony No. 2 in B Minor: 1. Allegro | Alexander Borodin, London Symphony Orchestra, Jean Martinon | G Major | 3 | 9B | 90 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Danse Macabre, Op. 40, R.171 | Camille Saint-Saëns, Orchestre Symphonique de Montréal, Andrew Wan, Kent Nagano | G Minor | 1 | 6A | 107 BPM |
Section: 0.815929651260376
End: 0.820016622543335