Itzhak Perlman, Samuel Sanders's 'Suite populaire espagnole (1990 Digital Remaster): Cancion' came out on April 17, 2006. With Suite populaire espagnole (1990 Digital Remaster): Cancion being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Itzhak Perlman's "Kreisler: Collection" album is number 17 out of 42. In terms of popularity, Suite populaire espagnole (1990 Digital Remaster): Cancion is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite populaire espagnole (1990 Digital Remaster): Cancion by Itzhak Perlman, Samuel Sanders to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moto perpetuo, Op. 11 | Itzhak Perlman, Samuel Sanders | C Major | 5 | 8B | 182 BPM | ||
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso | César Franck, Renaud Capuçon, Khatia Buniatishvili | A Major | 2 | 11B | 81 BPM | ||
Keyboard Concerto in G Major, Hob. XVIII:4: II. Adagio | Joseph Haydn, Emanuel Ax, Franz Liszt Chamber Orchestra | A Minor | 2 | 8A | 143 BPM | ||
Carmen fantasie (Version for Violin & Piano) | Franz Waxman, Maxim Vengerov, Irina Vinogradova | D Major | 1 | 10B | 81 BPM | ||
Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 0 | 10B | 83 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: II. Adagio | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | D♭ Major | 1 | 3B | 121 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | F Major | 2 | 7B | 83 BPM | ||
Scottish Fantasy Op. 46 (2003 - Remaster): Andante sostenuto | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | A♭ Major | 1 | 4B | 71 BPM |
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