Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn made "Grainger / Orch. Artok: Country Gardens, BFMS 22" available on 1996. The duration of Grainger / Orch. Artok: Country Gardens, BFMS 22 is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Grainger / Orch. Artok: Country Gardens, BFMS 22's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 15 in Die Moldau: Nature Classics for Kids by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Grainger / Orch. Artok: Country Gardens, BFMS 22's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Grainger / Orch. Artok: Country Gardens, BFMS 22 by Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Song Without Words: "I'll Love My Love"; Andante (Second Suite in F for Military Band) | Air Combat Command Heritage Of America Band | C Minor | 0 | 5A | 73 BPM | ||
Four Scottish Dances, Op. 59 - Produced | Malcolm Arnold, London Philharmonic Orchestra | F Major | 1 | 7B | 116 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Grand Canyon Suite: 1. Sunrise | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | A Major | 2 | 11B | 137 BPM | ||
Grand Canyon Suite: 3. On the Trail | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 80 BPM | ||
II. St. Michael Archangel | Royal Liverpool Philharmonic Orchestra, Petr Altrichter | E Minor | 1 | 9A | 109 BPM | ||
Candide / Act I: 1. Overture | Leonard Bernstein, London Symphony Orchestra | B♭ Major | 4 | 6B | 148 BPM | ||
Ride | Samuel R. Hazo, Indiana University of Pennsylvania Wind Ensemble, Jack Stamp | B♭ Minor | 3 | 3A | 165 BPM |
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