Johann Christoph Friedrich Bach, London Baroque's 'Trio Sonata in F Major, W. VII:3, B. 12: II. Andante' came out on May 28, 2013. The duration of Trio Sonata in F Major, W. VII:3, B. 12: II. Andante is about 3 minutes long, at 3:28. Based on our data, "Trio Sonata in F Major, W. VII:3, B. 12: II. Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "The Trio Sonata in 18th-Century Germany". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Sweden. The popularity of Trio Sonata in F Major, W. VII:3, B. 12: II. Andante is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Trio Sonata in F Major, W. VII:3, B. 12: II. Andante by Johann Christoph Friedrich Bach, London Baroque having a BPM of 162 with a half-time of 81 BPM and a double-time of 324 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 34 in D Major: II. Andantino | Johannes Matthias Sperger, L'Arte del mondo, Werner Ehrhardt | D♭ Minor | 0 | 12A | 113 BPM | ||
Concerto for Oboe d'amore, Strings and B.c. "Verdi prati": Allegro ("Tornami a vagheggiar" from Opera 'Alcina', HWV 34) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | A Major | 2 | 11B | 103 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Oboe Concerto in E-Flat Major, Wq. 165, H. 468: I. Allegro | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | E♭ Major | 1 | 5B | 88 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Courante La Boucon | Jacques Duphly, Elisabeth Joyé | B♭ Minor | 3 | 3A | 136 BPM | ||
Trio for Oboe d'amore, Horn and Bassoon in E Major: I. Allegro | Carl Heinrich Graun, Johann Gottlieb Graun, Concert Royal, Cologne | E♭ Major | 0 | 5B | 96 BPM | ||
Keyboard Concerto in A Minor, Wq. 26: I. Allegro assai | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | A Minor | 3 | 8A | 86 BPM |
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