"Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio - Redbook Stereo" by Henri Vieuxtemps, Jascha Heifetz, Sir Malcolm Sargent, The New Symphony Orchestra Of London was released on 1946. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jascha Heifetz's "Jascha Heifetz - Original Jacket Collection" album is number 9 out of 105. In terms of popularity, Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio - Redbook Stereo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio - Redbook Stereo by Henri Vieuxtemps, Jascha Heifetz, Sir Malcolm Sargent, The New Symphony Orchestra Of London to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Concerto No. 7 For Violin and Orchestra in A Minor, Op. 49: Allegro vivo | Henri Vieuxtemps, Orchestre Philharmonique Royal de Liège, Patrick Davin, Harriet Langley | G Major | 1 | 9B | 114 BPM | ||
Sonata for Violin Solo No. 2 in A Minor, BWV 1003: 2. Fuga | Johann Sebastian Bach, Hilary Hahn | A Minor | 1 | 8A | 73 BPM | ||
String Quartet No. 13 in B-Flat Major, Op. 130: V. Cavatina: Adagio molto espressivo | Ludwig van Beethoven, Kodály Quartet | B♭ Major | 2 | 6B | 134 BPM | ||
Violin Romance No. 1 In G Major, Op. 40 | Ludwig van Beethoven, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | G Major | 0 | 9B | 126 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Wieniawski : Légende Op.17 | Henryk Wieniawski, Maxim Vengerov | G Minor | 1 | 6A | 81 BPM | ||
Violin Concerto, Op. 14: I. Allegro | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | C Major | 1 | 8B | 95 BPM | ||
6 Sonatas for Violin Solo, Op. 27: Sonata No. 3 in D Minor "Ballade" | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 108 BPM | ||
Divertimento in D Major, K. 136, "Salzburg Symphony No. 1": I. Allegro | Wolfgang Amadeus Mozart, Munich Radio Orchestra, Ulf Schirmer | D Major | 2 | 10B | 137 BPM |
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