"Symphony No. 8 in C Minor, WAB 108: III. Adagio: Feierlich langsam; doch nicht schleppend" by Anton Bruckner, Wiener Philharmoniker, Pierre Boulez was released on January 1, 2000. Symphony No. 8 in C Minor, WAB 108: III. Adagio: Feierlich langsam; doch nicht schleppend appears to be safe for all ages as it is not explicit. The song is number 3 out of 4 in Bruckner: Symphony No.8 by Anton Bruckner, Wiener Philharmoniker, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony No. 8 in C Minor, WAB 108: III. Adagio: Feierlich langsam; doch nicht schleppend is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 8 in C Minor, WAB 108: III. Adagio: Feierlich langsam; doch nicht schleppend by Anton Bruckner, Wiener Philharmoniker, Pierre Boulez is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Festive Overture, Op.96 | Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
Improvisationskizze Ischl 1890 (completed by E. Horn) | Anton Bruckner, Erwin Horn, Gerd Schaller | C Major | 1 | 8B | 72 BPM | ||
Violin Concerto In D, Op. 61: 3. Rondo (Allegro) | Ludwig van Beethoven, Fritz Kreisler, Vadim Repin, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 74 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 2. Andante con moto | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
String Quintet in F Major, WAB 112: III. Adagio | Anton Bruckner, Fine Arts Quartet, Gil Sharon | F Minor | 4 | 4A | 164 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Os justi | Anton Bruckner, Voces8 | C Major | 0 | 8B | 138 BPM |
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