"Violin Concerto "To The Memory Of An Angel": 1. Andante - Allegro" by Alban Berg, Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1996. Violin Concerto "To The Memory Of An Angel": 1. Andante - Allegro appears to be safe for all ages as it is not explicit. The song is number 1 out of 7 in Berg / Stravinsky: Violin Concertos by Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa, New York Philharmonic, Zubin Mehta. Violin Concerto "To The Memory Of An Angel": 1. Andante - Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto "To The Memory Of An Angel": 1. Andante - Allegro by Alban Berg, Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 151 BPM | ||
Partita Suite No. 1 for String Orchestra, H.212: III. Andante Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 100 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 3 | 7B | 97 BPM | ||
Concerto for String Orchestra: III. Vivo | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | D Minor | 3 | 7A | 113 BPM | ||
Berg: Lyric Suite for String Quartet: III. Allegro misterioso - Trio estatico | Alban Berg, Alban Berg Quartett | F♯ Minor | 1 | 11A | 98 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Keng-ca-fou, Mah-jong (The Chinese Cup, The Tea Pot) | Maurice Ravel, Delphine Galou, Jean-Paul Fouchécourt, Orchestre National De Lyon, Leonard Slatkin | D♭ Minor | 1 | 12A | 130 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): II. Fugue: Allegro moderato (arr. for orchestra) | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 0 | 9A | 82 BPM |
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