"Esti dal" by Zoltán Kodály, Csaba Szabo, Accord Quartet was released on 2015. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 10 in Cross The Line by Csaba Szabo. Esti dal is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Esti dal by Zoltán Kodály, Csaba Szabo, Accord Quartet is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Klami : Sea Pictures : IV Song of The Watch [Nocturne] [Merikuvia : IV Vahtimiehen laulu] [Nokturno] | Uuno Klami, Finnish Radio Symphony Orchestra, Leif Segerstam | D Minor | 0 | 7A | 83 BPM | ||
Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
Hary Janos Suite: Háry János Suite: III. Song | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | G Major | 0 | 9B | 72 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Symphony No. 3 in C Minor: IV. Scherzo. Finale. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Minor | 3 | 5A | 132 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 5 in G Minor (original in F-Sharp Minor) | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Major | 2 | 9B | 158 BPM | ||
Deux mélodies hébraïques, M.22, No. 2: Enigme éternelle | Maurice Ravel, Sonia Wieder-Atherton, János Fürst, Sinfonia Varsovia | C Major | 1 | 8B | 93 BPM |
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