kobasolo, Akane made "Back-to-back (feat. Akane)" available on December 29, 2017. With this song being about 5 minutes long, at 4:54, "Back-to-back (feat. Akane)" by kobasolo, Akane is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in kobasolo's "KOBASOLO" album is number 10 out of 10. Back-to-back (feat. Akane) is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Back-to-back (feat. Akane) by kobasolo, Akane to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
天気 | adieu | F Major | 5 | 7B | 94 BPM | ||
着信まち | こはならむ | G Minor | 9 | 6A | 128 BPM | ||
クオリア(ALL TIME BEST ver.) | UVERworld | A♭ Major | 8 | 4B | 77 BPM | ||
Yuudachi | Hanako Oku | E Major | 3 | 12B | 166 BPM | ||
SEE YOU | Yuya Matsushita | B♭ Major | 7 | 6B | 144 BPM | ||
You & I | milet | A♭ Major | 6 | 4B | 130 BPM | ||
さよならエレジー feat.春茶 | kobasolo, Harutya | F♯ Major | 3 | 2B | 180 BPM | ||
初恋 | 東山奈央 | E♭ Minor | 3 | 2A | 180 BPM | ||
瞬きの星団 | Kano | A♭ Major | 4 | 4B | 170 BPM | ||
愛しい人へ | タイナカ サチ | A♭ Major | 4 | 4B | 77 BPM |
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