Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' made "Violin Concerto in D Major, Op. 3, No. 7: III. Allegro" available on November 1, 2013. With Violin Concerto in D Major, Op. 3, No. 7: III. Allegro being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Tessarini: 10 Concerti a piu istrumenti". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Italy. Violin Concerto in D Major, Op. 3, No. 7: III. Allegro is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Violin Concerto in D Major, Op. 3, No. 7: III. Allegro by Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a più istrumenti in D Major, Op. 5, No. 6: III. Ciaconna (Transcr. for Solo Violin and Chamber Orchestra) | Evaristo Felice Dall'Abaco, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: II. Allegro | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 3 | 10A | 116 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Oboe Concerto in G Minor, Op. 9 No. 8: III. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | G Minor | 4 | 6A | 105 BPM | ||
Violin Sonata No. 6 in A Minor: I. Largo | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | A♭ Minor | 1 | 1A | 58 BPM | ||
Concerti Grossi, Op. 7: No. 1 in D Major: III. Andante - Studio Recording | Francesco Geminiani, I Musici | B Minor | 3 | 10A | 89 BPM | ||
Violin Concerto in D Major, Op. 3, No. 3: I. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 1 | 10B | 125 BPM | ||
Concerto Grosso in B-Flat Major, Op. 6, No. 7, HWV 325: V. Hornpipe | George Frideric Handel, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: I. A tempo giusto | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM |
Section: 0.7747702598571777
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