Nat Adderley's 'I Should Care' came out on December 1, 1955. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nat Adderley's "Introducing Nat Adderley" album is number 4 out of 10. Based on our statistics, I Should Care's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of I Should Care by Nat Adderley to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hip Trolley | Carmell Jones | E♭ Major | 7 | 5B | 102 BPM | ||
Blues Changes | The Ray Bryant Trio | A♭ Major | 2 | 4B | 113 BPM | ||
One For Majid - Live | Keith Jarrett, Gary Peacock, Jack DeJohnette | C Major | 3 | 8B | 96 BPM | ||
Chi-Chi - Take 1 / Alternate | Charlie Parker Quartet | A♭ Major | 5 | 4B | 106 BPM | ||
By The Time I Get To Phoenix | Nat Adderley | E♭ Major | 0 | 5B | 77 BPM | ||
Bo-Fill - Rudy Van Gelder 24Bit Mastering | Clifford Jordan, John Gilmore | B♭ Major | 4 | 6B | 88 BPM | ||
Yesterdays | James Moody | D Minor | 2 | 7A | 76 BPM | ||
Hindsight | Phil Woods, Space Jazz Trio | A♭ Major | 2 | 4B | 65 BPM | ||
Off Minor | Cedar Walton, David Williams, Billy Higgins | D Major | 4 | 10B | 100 BPM | ||
Grey Moss | Nat Adderley | A Major | 2 | 11B | 172 BPM |
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