"Adagio" by Moscow New Philharmonic Orchestra, Vladimir Ponkin was released on 2004. With this song being about 5 minutes long, at 4:34, "Adagio" by Moscow New Philharmonic Orchestra, Vladimir Ponkin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "P. Tchaikovsky: The Sleeping Beauty, ballet (excerpts)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio by Moscow New Philharmonic Orchestra, Vladimir Ponkin having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppelia: Act III - Valse des heures | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 119 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 111 BPM | ||
The Four Seasons - Autumn in F Major, RV. 293: I. Allegro – Larghetto – Allegro assai/molto | Antonio Vivaldi, Adrian Chandler, La Serenissima | F Major | 2 | 7B | 85 BPM | ||
Giselle (1996 Digital Remaster), Act I, No.5, Peasant pas de deux (Burgmuller): Entrance | Adolphe Adam, Terence Kern/London Festival Ballet Orchestra, Terence Kern, Terrence Kern, London Festival Ballet Orchestra | D Major | 5 | 10B | 103 BPM | ||
Grand Pas Classique Female Variation | Bruno Lawrence Raco | F Major | 1 | 7B | 103 BPM | ||
Raymonda, Act III: Entree | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D♭ Major | 1 | 3B | 68 BPM | ||
Die Puppenfee (The Fairy Doll): No. 6 Lento: Oberösterreicherin | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 151 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Etudes: IX. Piqués et grands pirouettes | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 79 BPM |
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