"Cavalleria rusticana: Intermezzo sinfonico" by Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli was released on January 1, 1990. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli, Agnes Baltsa, Plácido Domingo, Vera Baniewicz, Juan Pons, Susanne Mentzer, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton's "Mascagni: Cavalleria Rusticana" album is number 18 out of 22. Cavalleria rusticana: Intermezzo sinfonico is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: Intermezzo sinfonico by Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 5 | 12B | 85 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: III. Allegro, ma non troppo | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 2 | 8B | 103 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Les contes d'Hoffmann: "Barcarole" | Philharmonia Orchestra, Herbert von Karajan | D Major | 0 | 10B | 76 BPM | ||
Concierto Andaluz for 4 Guitars and Orchestra: 1. Tiempo de Bolero | Joaquín Rodrigo, Los Romeros, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 4 | 11B | 144 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
An der schönen, blauen Donau, Walzer, Op. 314 | Johann Strauss II, Daniel Barenboim, Wiener Philharmoniker | D Major | 1 | 10B | 95 BPM | ||
Symphony No. 3 in F Major, Op. 90: 3. Poco allegretto | Johannes Brahms, Staatskapelle Berlin, Daniel Barenboim | C Minor | 0 | 5A | 170 BPM | ||
Pride and Prejudice Suite: II. Canon Collins and Lady Catherine de Bourgh | Carl Davis, Philharmonia Orchestra | C Minor | 1 | 5A | 68 BPM | ||
Pride and Prejudice Suite: I. Meet the Family | Carl Davis, Philharmonia Orchestra | E♭ Major | 2 | 5B | 123 BPM |
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