Johann Sebastian Bach, Kun-Woo Paik made "Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Busoni)" available on January 1, 2000. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 14 in Bach, J.S. transcr. Busoni: Toccata; Chorale Preludes; Chaconne by Johann Sebastian Bach, Kun-Woo Paik. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Busoni)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. Busoni) by Johann Sebastian Bach, Kun-Woo Paik is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Nocturne in F Minor "La séparation" | Mikhail Glinka, Alexei Lubimov | F Minor | 0 | 4A | 100 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: II. [Adagio] | Johann Sebastian Bach, Trevor Pinnock, Kati Debretzeni | A♭ Major | 0 | 4B | 94 BPM | ||
Fantasia in C minor, K.475: Andantino | Wolfgang Amadeus Mozart, András Schiff | C Minor | 0 | 5A | 142 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Partita No. 2 in C Minor, BWV 826: VI. Capriccio | Johann Sebastian Bach, Glenn Gould | C Minor | 5 | 5A | 111 BPM | ||
Concerto for Oboe, Violin, Strings and Continuo in C Minor, BWV 1060: I. Allegro (Arr. By Asya Fateyeva) | Johann Sebastian Bach, Asya Fateyeva, Erik Schumann, Ruben Gazarian, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 96 BPM | ||
Lyric Piece in E Minor, Op. 57/6: Homesickness | Edvard Grieg, Khatia Buniatishvili | E Minor | 0 | 9A | 87 BPM |
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