"Suite del Angel "Angel Suite" for String Quartet: Tango del Angel - Tempo di Tango" by Artemis Quartet was released on May 11, 2009. With this song being about 5 minutes long, at 4:36, "Suite del Angel "Angel Suite" for String Quartet: Tango del Angel - Tempo di Tango" by Artemis Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The Piazzolla Project". In this album, this song's track order is #8. Based on our statistics, Suite del Angel "Angel Suite" for String Quartet: Tango del Angel - Tempo di Tango's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite del Angel "Angel Suite" for String Quartet: Tango del Angel - Tempo di Tango by Artemis Quartet having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | C Minor | 0 | 5A | 143 BPM | ||
Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | ||
Noches en los Jardines de España: II. Danza Lejana | Manuel de Falla, Mari Kodama, L'Orchestre de la Suisse Romande, Kazuki Yamada | D Minor | 1 | 7A | 92 BPM | ||
Piano Concerto No.3 in C, Op.26: 3. Allegro ma non troppo | Sergei Prokofiev, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | C Major | 3 | 8B | 106 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Shostakovich: Piano Quintet in G Minor, Op. 57: V. Finale. Allegretto | Dmitri Shostakovich, Artemis Quartet, Elisabeth Leonskaja | A♭ Major | 0 | 4B | 135 BPM | ||
Mendelssohn-Hensel, F: String Quartet in E-Flat Major: III. Romanze | Fanny Mendelssohn, Quatuor Ébène | C Minor | 1 | 5A | 97 BPM | ||
Concerto for Violin and Orchestra in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Lisa Batiashvili, Staatskapelle Berlin, Daniel Barenboim | B♭ Major | 1 | 6B | 178 BPM | ||
Cello Concerto in D Minor: 2. Intermezzo: Andantino con moto - Allegro presto | Édouard Lalo, Pierre Fournier, Orchestre Lamoureux, Jean Martinon | G Major | 1 | 9B | 85 BPM | ||
Adagio [from Lady Macbeth of the Mtsensk District] | Dmitri Shostakovich, Gidon Kremer | A♭ Minor | 0 | 1A | 83 BPM |
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