Antonio Salieri, English Chamber Orchestra, Richard Bonynge made "La Fiera di Venezia: Sinfonia" available on January 1, 2000. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in English Chamber Orchestra, Richard Bonynge's "Handel, etc.: Overtures of the 18th Century" album is number 13 out of 27. In terms of popularity, La Fiera di Venezia: Sinfonia is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Fiera di Venezia: Sinfonia by Antonio Salieri, English Chamber Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: III. Allegro assai | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | A♭ Minor | 3 | 1A | 130 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Sinfonía 39 Simbad el marino: 3. La isla de diamantes | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 94 BPM | ||
Harp Concerto in G Major: III. Vivace | Georg Christoph Wagenseil, Roberta Alessandrini, Mantova Orchestra, Vittorio Parisi | G Major | 1 | 9B | 77 BPM | ||
Les Horaces, Acte II, Scène 5: Iras-tu, Curiace ? | Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Cyrille Dubois, Judith van Wanroij, Les Talens Lyriques | G Major | 4 | 9B | 143 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 115 BPM | ||
Palmira regina di Persia: VI. Marcia | Antonio Salieri, Consortium Classicum | G Major | 1 | 9B | 132 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |
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