"Love Is Here To Stay" by Nat King Cole was released on August 1, 1953. The duration of Love Is Here To Stay is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Love Is Here To Stay's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Sings For Two In Love". In this album, this song's track order is #1. Love Is Here To Stay is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Love Is Here To Stay by Nat King Cole having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taking a Chance on Love | Renee Olstead | A♭ Major | 3 | 4B | 111 BPM | ||
It's All Right With Me - 2002 - Remastered | Kay Starr | F Minor | 4 | 4A | 96 BPM | ||
Someday My Prince Will Come | Etta Jones | C Minor | 3 | 5A | 134 BPM | ||
It's A Most Unusual Day | June Christy | G Major | 2 | 9B | 142 BPM | ||
Ac-Cent-Tchu-Ate the Positive | Aretha Franklin | F Minor | 4 | 4A | 129 BPM | ||
A Man Ain't Supposed to Cry | Joe Williams | B Minor | 3 | 10A | 177 BPM | ||
Look at That Face | Anthony Newley | F♯ Major | 3 | 2B | 91 BPM | ||
Tenderly | Ben Webster | E♭ Major | 1 | 5B | 136 BPM | ||
Lullaby In Rhythm | Mark Murphy | F Minor | 2 | 4A | 135 BPM | ||
Band Of Gold | Ray Conniff and Don Cherry | G Major | 4 | 9B | 113 BPM |
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