Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello's ''O sole mio (Arr. Chiaramello)' came out on January 1, 1997. The duration of 'O sole mio (Arr. Chiaramello) is about 3 minutes long, at 3:22. Based on our data, "'O sole mio (Arr. Chiaramello)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Pavarotti Forever". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 'O sole mio (Arr. Chiaramello)'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 'O sole mio (Arr. Chiaramello) by Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
O sole mio | Eduardo di Capua, Giuseppe Anselmi, Studio pianist | D Minor | 2 | 7A | 130 BPM | ||
Santa Lucia | Italian Mandolin Torna A Surriento | G Major | 4 | 9B | 104 BPM | ||
Sinfonía n. 5 en mi menor | Pyotr Ilyich Tchaikovsky, Waldo De Los Ríos | D Major | 3 | 10B | 88 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Una Furtiva Lagrima (Acto II) - L'Elisir d'Amore | Tito Schipa | B♭ Minor | 1 | 3A | 78 BPM | ||
La danza delle ore | Radio Symphony Orchestra | E Minor | 1 | 9A | 132 BPM | ||
Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
Boléro, M. 81 | Katica Illényi | C Major | 4 | 8B | 74 BPM | ||
Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM |
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