"Glassworks: Opening" by Philip Glass, Kristina Socanski was released on January 18, 2023. With this song being about 5 minutes long, at 4:36, "Glassworks: Opening" by Philip Glass, Kristina Socanski is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "Satie, Debussy, Beethoven, Bach, Grieg, Chopin, Mozart, Rachmaninoff, Bryukhno, Fauré, Schumann, Nazaykinskaya, Glass: Piano Classical Music". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Norway. Based on our statistics, Glassworks: Opening's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Glassworks: Opening by Philip Glass, Kristina Socanski having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arise | Isobel Waller-Bridge | G Minor | 4 | 6A | 100 BPM | ||
Infra 5 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | F♯ Minor | 3 | 11A | 81 BPM | ||
Rearranging Furniture | Gabriel Yared | E Minor | 2 | 9A | 79 BPM | ||
Sonata for Cello and Piano G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Jonathan Swensen, Filip Štrauch | D Minor | 0 | 7A | 95 BPM | ||
The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Apartment House 1776: Harmony No. 1, Cookfield | John Cage, Arditti Quartet | G Major | 0 | 9B | 104 BPM | ||
Notes II | Eleni Karaindrou, Maria Bildea, Sergiu Nastasa, Renato Ripo, Vangelis Christopoulos, Spyros Kazianis, Antonis Lagos, Dinos Hadjiiordanou, Camerata, Friends Of Music Orchestra | G Minor | 0 | 6A | 72 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): III. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 130 BPM |
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