- BPM
- 104
- Key
- B♭ Major
- Camelot
- 6B
Carmina Burana: A Night on Bare Mountain - Excerpt - New York Philharmonic Information
- Acousticness
- 90%
- Danceability
- 37%
- Energy
- 39%
- Instrumentalness
- 88%
- Liveness
- 16%
- Loudness
- 74%
- Speechiness
- 5%
- Valence
- 21%
- Popularity
- 1%
- Loudness
- -15.533 dB
Summary
New York Philharmonic's 'Carmina Burana: A Night on Bare Mountain - Excerpt' came out on 1991. Since Carmina Burana: A Night on Bare Mountain - Excerpt is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Rendezvous der Sinne Vol. 1". In this album, this song's track order is #8. In terms of popularity, Carmina Burana: A Night on Bare Mountain - Excerpt is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Carmina Burana: A Night on Bare Mountain - Excerpt BPM
With Carmina Burana: A Night on Bare Mountain - Excerpt by New York Philharmonic having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Carmina Burana: A Night on Bare Mountain - Excerpt Key
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | |
 | Symphony No. 3 in D Minor, Part II: II. Tempo di menuetto | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 71 BPM | |
 | Fanfare for the Common Man | Aaron Copland, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 113 BPM | |
 | Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | |
 | Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | |
 | Prince Igor: Polovtsian Dances (Remastered): No. 17d, Presto | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 3 | 7B | 104 BPM | |
 | Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | |
 | Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | |
 | The Magic Flute, Overture, K620 | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 85 BPM | |
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8145883083343506
End: 0.8184962272644043