Peter Dasent made "The Man Who Never Was" available on September 12, 2005. With The Man Who Never Was being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Peter Dasent's Wonderful Music Encyclopaedia". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Australia. The Man Who Never Was is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Man Who Never Was by Peter Dasent having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Concerto: III. Marcia e toccata | Maya Badian, Valentin Farkas, Cluj-Napoca Philharmonic Orchestra, Cristian Mandeal | D Major | 2 | 10B | 112 BPM | ||
Pygar Finds Barbarella | The Bob Crewe Generation Orchestra | A Minor | 2 | 8A | 94 BPM | ||
Exotic Pleasures | Peter Dasent | F Major | 6 | 7B | 107 BPM | ||
Evensong | The Melachrino Strings | E Major | 3 | 12B | 82 BPM | ||
Cello Feel | Relaxing Orchestral Central Park | F Major | 4 | 7B | 159 BPM | ||
Supercharger | Francesco De Masi | C Major | 1 | 8B | 114 BPM | ||
Daphnis et Chloé, Suite No. 2, M. 57b: II. Pantomime | Maurice Ravel, Sir Simon Rattle, London Symphony Orchestra | B Major | 3 | 1B | 82 BPM | ||
Good Old Days | Sinfonietta Cinematica | A Major | 4 | 11B | 111 BPM | ||
Toccata and Passacaglia: I. Toccata | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | B Minor | 4 | 10A | 105 BPM | ||
End Title, End Cast | John Addison | B♭ Major | 6 | 6B | 119 BPM |
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