Fritz Wunderlich's 'Trinke, Liebchen (Glücklich ist, wer vergisst)' came out on 2017. The duration of Trinke, Liebchen (Glücklich ist, wer vergisst) is about 3 minutes long, at 3:05. Based on our data, "Trinke, Liebchen (Glücklich ist, wer vergisst)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "O sole mio". In this album, this song's track order is #31. Trinke, Liebchen (Glücklich ist, wer vergisst) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trinke, Liebchen (Glücklich ist, wer vergisst) by Fritz Wunderlich having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: "Die Himmel erzählen die Ehre Gottes" | Franz Joseph Haydn, Gundula Janowitz, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Major | 3 | 8B | 110 BPM | ||
Die verkaufte Braut, JB 1:100: Komm, mein Söhnchen, auf ein Wort (Sung in German) | Bedřich Smetana, Fritz Wunderlich, Kurt Böhme, Stuttgart Radio Symphony Orchestra, Alfons Rischner | B Minor | 2 | 10A | 173 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 2. Arie mit Chor: "Nun schwanden vor dem heiligen Strahle" | Franz Joseph Haydn, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | A Major | 2 | 11B | 87 BPM | ||
Il Trovatore / Act II: "Stride la vampa!" | Giuseppe Verdi, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini | E Major | 1 | 12B | 112 BPM | ||
Der Troubadour: Seht, wie die Wolken am Himmel ziehen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | G Major | 2 | 9B | 129 BPM | ||
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Venus in Seide: Erst hab ich ihr Komplimente gemacht | Robert Stolz, Fritz Wunderlich, SWR Rundfunkorchester Kaiserslautern, Emmerich Smola | F Major | 3 | 7B | 127 BPM | ||
Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie: Kyrie eleison (I) | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 2 | 10B | 54 BPM | ||
Der Freischütz, J. 277 / Act 3: "Wir winden dir den Jungfernkranz" | Carl Maria von Weber, Renate Hoff, Renate Krahmer, Ingeborg Springer, Brigitte Pfretzschner, Ingrid Hille, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 0 | 8B | 99 BPM |
Section: 0.7594923973083496
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