- BPM
- 74
- Key
- A Minor
- Camelot
- 8A
J. S. Bach: Matthäus-Passion/Erster Teil/Und er kam zu seinen Jüngern (Evangelist/Jesus) - Gewandhausorchester Leipzig, Peter Schreier, Erhard Mauersberger, Rudolf Mauersberger, Theo Adam Information
- Acousticness
- 95%
- Danceability
- 35%
- Energy
- 16%
- Instrumentalness
- 0%
- Liveness
- 28%
- Loudness
- 68%
- Speechiness
- 6%
- Valence
- 11%
- Popularity
- 1%
- Loudness
- -19.251 dB
Summary
"J. S. Bach: Matthäus-Passion/Erster Teil/Und er kam zu seinen Jüngern (Evangelist/Jesus)" by Gewandhausorchester Leipzig, Peter Schreier, Erhard Mauersberger, Rudolf Mauersberger, Theo Adam was released on 1975. With J. S. Bach: Matthäus-Passion/Erster Teil/Und er kam zu seinen Jüngern (Evangelist/Jesus) being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gewandhausorchester Leipzig's "Johann Sebastian Bach: Matthäus-Passion" album is number 24 out of 68. J. S. Bach: Matthäus-Passion/Erster Teil/Und er kam zu seinen Jüngern (Evangelist/Jesus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
J. S. Bach: Matthäus-Passion/Erster Teil/Und er kam zu seinen Jüngern (Evangelist/Jesus) BPM
We consider the tempo marking of J. S. Bach: Matthäus-Passion/Erster Teil/Und er kam zu seinen Jüngern (Evangelist/Jesus) by Gewandhausorchester Leipzig, Peter Schreier, Erhard Mauersberger, Rudolf Mauersberger, Theo Adam to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
J. S. Bach: Matthäus-Passion/Erster Teil/Und er kam zu seinen Jüngern (Evangelist/Jesus) Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | |
 | Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: III. Allegro | Johann Sebastian Bach, Andrei Gavrilov, Academy of St. Martin in the Fields, Sir Neville Marriner, John Constable | D Minor | 3 | 7A | 114 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | |
 | Concerto for 2 Flutes in C Major, RV 533: II. Largo | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | |
 | Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital Remaster | George Frideric Handel, Sviatoslav Richter | E Major | 0 | 12B | 144 BPM | |
 | Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | |
| Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | |
 | Sonata No. 2 in A Minor, BWV 1003: I. Grave | Johann Sebastian Bach, Andrej Kurti | D♭ Minor | 1 | 12A | 89 BPM | |
 | Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | |
 | Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7598545551300049
End: 0.764411449432373