Wolfgang Amadeus Mozart, Wiener Mozart Ensemble, Willi Boskovsky made "12 German Dances, K. 586: No. 4 in F Major" available on June 16, 2022. With 12 German Dances, K. 586: No. 4 in F Major being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 335 out of 429 in Classical Road Trip: Mozart by Wolfgang Amadeus Mozart, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 12 German Dances, K. 586: No. 4 in F Major is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 12 German Dances, K. 586: No. 4 in F Major by Wolfgang Amadeus Mozart, Wiener Mozart Ensemble, Willi Boskovsky is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 1/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - Live at Konzerthaus Berlin / 2018 | Ludwig van Beethoven, Jan Lisiecki, Academy of St. Martin in the Fields, Tomo Keller | B Major | 0 | 1B | 84 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | D Minor | 1 | 7A | 129 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Sinfonia Concertante For Violin, Viola And Orchestra In E Flat, K.364: 2. Andante | Wolfgang Amadeus Mozart, Giuliano Carmignola, Danusha Waskiewicz, Orchestra Mozart, Claudio Abbado | C Minor | 0 | 5A | 107 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM |
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