Ludwig van Beethoven, David Zinman's 'Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio' came out on 1997. Since Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 75 in David Zinman Conducts Beethoven by Ludwig van Beethoven, David Zinman. In terms of popularity, Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio by Ludwig van Beethoven, David Zinman is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegretto for String Quartet in B, WoO 210 | Ludwig van Beethoven, Endellion String Quartet, Andrew Watkinson, Ralph De Souza, Garfield Jackson, David Waterman | B Minor | 1 | 10A | 84 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
String Quintet in A major, Op. 11/5, G 275: Minuetto | The Smithsonian Chamber Players | A♭ Major | 0 | 4B | 184 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
Peer Gynt, Op.23: Prelude To Act 4 (Morning Mood) - Excerpt | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | E Major | 1 | 12B | 76 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": 3. Adagio molto e cantabile | Ludwig van Beethoven, Gewandhausorchester, Riccardo Chailly | B♭ Major | 0 | 6B | 99 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin Hoherman, Boston Pops Orchestra | A Minor | 0 | 8A | 136 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM |
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